Presentation on the theme of the history of the royal costume. Presentation "Russian folk costume"
MINISTRY OF EDUCATION AND SCIENCE OF THE RUSSIAN FEDERATION STATE EDUCATIONAL INSTITUTION OF THE VORONEZH REGION "Voronezh Center for Psychological and Pedagogical Rehabilitation and Correction"
Costume history
Developed by technology teacher:
Komarova O.A.
Clothing of primitive people
Clothing appeared in ancient times as a means of protection from the unfavorable climate, from insect bites, from wild animals on the hunt, from the blows of enemies in battle. The clothes of primitive people were made from animal skins.
Over time, clothes have changed. There was a need not only to cover the body from bad weather and bad weather. At the same time, the needs of the human spirit created the need to decorate the body.
The features of the costume were imprinted by the era, the customs and customs of the peoples.
Greek costume.
Clothing in ancient Egypt.
Men's suit
Since ancient times, the main clothing of men has been an apron - "shenty" .
Women's clothing
Egyptian women wore "kalazaris"- a long linen shirt, tight-fitting to the body, with straps, reaching to the very feet and leaving the chest open.
Clothing of Ancient Rus' Woman suit
A chemise is a canvas shirt with a wide, straight cut.
Clothing of Ancient Rus' Men's suit
Cloak "Korzno" - the outfit of the Kyiv princes
Casing - a fur coat with fur inside.
Clothing of the "Middle Ages" era
Annen –
a female headdress, the height of which was determined by the social status of the lady: women of royal blood were allowed to have it 1 m high, ordinary townspeople - no higher than 50 - 60 cm. “Horned caps” were considered fashionable, causing particular wrath of the church.
Clothing "Renaissance"
The female figure turned out to be clad in a corset with metal or wooden planks.
A frame was put on the hips from several circles conically decreasing in diameter, hanging on leather belts, which imparted to the skirt immobility and the correct conical shape - vertugaden.
Frame from hoops "Verdugo" Used to shape a skirt. It was very heavy and uncomfortable.
Baroque clothing
Sheath dress This dress cannot be put on by itself.
It was entered by stepping over the skirt, and the hands were inserted into the incredibly puffy sleeves. Then the maid tightened the lacing on the back of the bodice.
Clothing of the Rococo era
Dresses with petticoats were used to create the effect of wide hips. Several (up to a dozen) skirts were worn at once. These skirts were comfortable and dynamic.
Late 19th century clothing
Fashion includes various devices that give the silhouette bizarre shapes.
Bustle
bustle or
"Paris back"
(from the French tournure - posture, demeanor) - a pad or pleated overlay, or the general name of a frame device located below the waist, which was worn under a dress to give a special silhouette in the 1870s and 80s.
Clothing of the late 19th - early 20th century.
In a woman's everyday costume, an ensemble - a blouse and a skirt - occupies more and more space. The skirt becomes an independent waist product.
Modern clothes.
The democratization of the life of modern society has liberated fashion, made it free, convenient, practical, meeting the conditions of modern life.
thanks for attention!
To use the preview of presentations, create a Google account (account) and sign in: https://accounts.google.com
Slides captions:
CLOTH
CLOTHING - A COLLECTION OF OBJECTS COVERING THE BODY. People wear clothes to protect their bodies and to be attractive. By the way a person is dressed, you can find out where he lives, what his lifestyle is, and much more.
CLOTHING FOR THE SEASONS: winter wear in winter summer wear in summer demi-season can be worn in spring and autumn
Summer Winter Demi-season
CLOTHING by purpose
WOMEN'S CLOTHING
CASUAL SKIRT SUNDRESS BLOUSE
FESTIVE DRESS
HOME ROBE
MEN'S CLOTHING
CASUAL SHIRT JEANS
FESTIVE SUIT PANTS BLAZER
HOME robe pajamas
CASUAL
FESTIVE
HOME
TRACK SUIT KIMANO TRACK DRESS T-SHIRT AND SHORTS
NATIONAL
SPECIAL FOR CHILDREN SCHOOL UNIFORM
SPECIAL CLOTHING FOR THE WORK OF A DOCTOR AND A NURSE COOK
WORKING CLOTHING serves to protect clothing and the human body from damage and pollution during work.
WORKING CLOTHES FOR PILOTS AND STEWARDESSES OF TRAIN CONDUCT
FIRE POLICE UNIFORM
MILITARY UNIFORM
FIND OUTSIDE. WHY?
FIND OUTSIDE. WHY?
CARE OF CLOTHES WASHING DRYING IRONING CLEANING STORING
Look at the label on the garment before washing.
WASH HAND WASH MACHINE WASH
FOR WASHING: DETERGENT POWDER LIQUID SOAP CONDITIONER Stain REMOVER SOAP
Look at the label on the garment before ironing.
Set the temperature on the regulator to the recommendation on the clothing label.
BRUSHING Clothes brushes Steam brush roller
CLOTHING STORAGE CABINET DRESSER
Storage cases for clothes of large things.
Used resources PICTURES FROM SEARCH SERVERS: YANDEX, GOOGLE
On the topic: methodological developments, presentations and notes
The first lesson in the section "Designing and modeling an apron". In design lessons garments students develop the ability to build, correctly draw up, understand and read the lines ...
Topic: “History of the costume”.
Purpose: to introduce students to the history of fashion.
Lesson objectives:
- Educational: give an idea of the history of fashion development and changing styles, develop the desire to deepen knowledge.
- Developing: expand horizons; develop personal self-education.
- Educational: form a positive motivation for the subject; cultivate aesthetic taste.
Equipment: workbooks, computer, multimedia projector, presentation "History of the costume".
DURING THE CLASSES
I. Organization of the lesson.
1. Checking the readiness of students for the lesson.
2. Communication of the topic and purpose of the lesson.
II. Interview with students on:
What is fashion?
(“Fashion” - translated from Latin for us means the temporary predominance of certain tastes)
Do you think fashion has always existed or did it emerge once?
What are the names of the people who work on the creation of models?
What famous fashion designers do you know?
III. Explanation of the new material (with a slide show of the presentation “History of the Costume”.
The history of the development of clothing and everyday practice convince us that in the art of dressing people, everyone should be an artist, from famous fashion designers to ordinary performers. Without an understanding of the artistic task, one cannot achieve success, even if one has excellent knowledge of such necessary special knowledge as design and technology. You can educate an artist in yourself if, firstly, you sincerely want; secondly, to accumulate knowledge - erudition and horizons will never hurt. Thirdly, to approach all knowledge creatively - to compare, select, connect.
First you need to get acquainted with a minimum of ideas about the history of clothing, about how fashion has changed (slide 1).
Let's define the basic concepts:
Costume,
Style,
Fashion (slide 2).
It is generally accepted that fashion, like a bright butterfly, lives one day. Appeared, turned heads - and she is gone. However, this would be too simple, and fashion does not recognize single-line simplicity. Every time there are circumstances that cause the need for change and contribute to the emergence of a new fashion.
Additional information for slides.
1. Ancient Greek style(slide 3, 4).
According to the canons of fashion of that time, the dress was not cut. Tailored costume, in the modern sense of the word, Greek clothing did not know. This time is characterized by the identification of the plastic properties of fabrics in the complex rhythms of draperies. Rectangular pieces of fabric, fastened in some places with fasteners, did not emphasize the shape of the body, which slightly showed through under the clothes. These robes were called differently: chiton, himation, toga, tunic. Already in ancient times, colors had their symbolic meaning; so, for example, the white color was assigned to the aristocracy, and black, purple, dark green and gray expressed sadness. Green and brown colors were the usual colors of the villagers. Aristocrats had in their wardrobe belts made of precious metals, pins made of gold and ivory, necklaces, bracelets. This testifies not only to the refined taste, but also to the technical maturity of that era.
2. Gothic style (slide 5).
It consisted in emphasizing vertical lines in clothes. The dress of medieval women had a very high waistline, an elongated neckline, narrow long sleeves, a skirt usually pleated on one side only. The skirt flared at the bottom and turned into a long train. The most expressive was the decoration of the head with cone-shaped “hats”, which resembled the towers of a Gothic cathedral. Men wore a short jacket, tight-fitting pants, outlining the figure. Pointed shoes completed the outfit. Flashy clothes of that era were sewn from brocade, cloth, expensive velvet, which were complemented by embroidery and furs.
3. Renaissance (slide 6, 7, 8).
Renaissance fashion originated in Italy, the cradle of the Renaissance. This style is characterized by the monumentality of the figure. Women's clothing becomes wide and comfortable, the neck and arms are exposed. Renaissance fashion, as its theorists said, first of all, had to be rich. And this wealth was manifested not only in expensive fabrics and patterns, but also in the design of the sleeves. The narrow elegant sleeve of the Renaissance dress of the 15th century, first at the elbows, and then at the armhole, was cut. Probably, this capricious detail can be explained by the requirement of time to pay special attention to dexterity and mobility. For the first time in this period women's clothing began to strictly share the pattern on long skirt and a bodice, often laced up. Women's dresses were pulled tight over a metal corset and a tight underskirt with metal hoops. The men's costume was stylized as a knight's costume. But the medieval knight was replaced by a gentleman in a court dress made of satin, brocade, velvet. Men's short trousers were stuffed with cotton wool, tow, straw. Rigid lace collars deeply protected the neck. This dress was not comfortable. Shoes begin to be sewn from leather, decorated with pearls, ribbons, laces and buckles.
4. Baroque (slide 9, 10).
Baroque style clothing was characterized by complexity and layering. The women's attire was distinguished by a contrast of forms: a thin, slender figure was combined with a fluffy domed skirt. The bodices began to lace up. A prominent role in clothing is played by sleeves; they are complemented by cuffs with lace in the form of a bag, which reached almost the elbow. Women's dress got rid of wide skirts on hoops, the lines became softer and smoother. For men, Spanish, short puffy trousers in the form of tubes lengthened below the knees, and shoes changed along with them. High military boots, often above the knees, elongated in the form of a bag, were filled with lace. Cavaliers wear long curly hair, a soft flat felt hat adorned with feathers, and a cloak. Lace is used for their clothes by both men and women. Jewelry is now much less popular than before. However, in general, the clothes of that time are in many ways simpler than the clothes of previous eras.
5. Rococo (slide 11, 12).
This was a period when mass production of clothing and specialized trade fashion accessories are gaining momentum. Since that time, the word crinoline has become known in England. It was then that it is a shirred domed skirt, the shape of which was supported by numerous petticoats. Making them, mostly by hand, required an infinite amount of time. With the improvement of sewing machines, an artificial crinoline appeared. Rococo style clothing has not undergone big changes compared to baroque clothing. Only the lines have become even more subtly elegant.
6. Classicism (slide 13, 14).
There is a logical transition of all tendencies towards classicism to antiquity. Women's fashion adopted the cult of antiquity almost unconditionally. The neckline is exposed. The new style is characterized by the severity of lines, clarity of proportions, simplicity of forms.
7. Empire style (slide 15, 16).
Freed the female body from the corset. The dress is light transparent, made of airy muslin and batiste fabrics, tightly fitting the waist under the bust, emphasizing the natural slimness of the figure. The shape of the head is emphasized by smoothly combed hair, separated in the middle by a parting, which fit into a net or braided. The only decoration was curls. Jewelry in the form of cameos, necklaces, necklaces are of great interest. Caps and hats of various shapes are worn on the head. During this period, men's costumes were simplified, the main requirement was good cut and elegance, and not magnificence and luxury. The tailcoat, as a rule, was usually dark tones. The shirts have high collars and a tie that "supports the head according to the proper, dignified position." The day suit was complemented by a top hat. Shoes are low, flat, without heels.
8. Romanticism (slide 17, 18).
We find ourselves in an era when the “disintegration of styles” is coming. The crinoline appears in the dress again - the hips increase to an unprecedented size, under magnificent forms dress body is almost hidden. Corsets are again required to emphasize the waist. To make the optical impression of a thin waist even greater, the sleeves have widened. They were so large that their corresponding "bloated appearance" had to be supported by a whalebone. Are addicted to jewelry again; items made of pearls, necklaces, brooches, decorative combs were very popular. Hats, close in shape to a cap, were decorated with flowers, ribbons and flounces. A strongly open neck allows you to “highlight” the head, and then complex hairstyles began to be used again. They were very skillful, often reminiscent of, for example, decorative architecture. In winter, the coat is replaced by a coat - figurative dresses made of thick woolen fabrics. Only wide capes were worn over the dress. The length of the skirt was shortened, so a boot with a higher heel and lacing became visible. The men's suit is becoming more restrained. Long trousers, an indispensable top hat and a tie, the tying of which is now given even more attention, rely on the tailcoat. Outerwear, coats, sewn according to the figure. They wore low shoes on their feet, Wellingtons. The biggest fashion statement was the frock coat.
9. Modern (slide 19, 20, 21).
A rapid change in the shape of the dress - from light, semi-adjacent to heavy, dense, with puffy sleeves, with bustles that visually enlarged the lower part of the torso. The requirement of conservative fashion was a stylized woman - a flower, a woman of salons, theaters, this woman, still tightened with a corset. On the other hand, a real movement against corsets begins, whose supporters spoke about its harmfulness and sought to ban its wearing. At the end of the 19th, fashion creates a new type of clothing with a flared skirt and “ham-shaped” sleeves, which helps to create clothes in the Art Nouveau style (giving the figure an “S-shaped” shape).
10. Garson (slide 22).
A fundamental change is coming in fashion - the silhouette of the female figure has completely changed due to the reduction in the length of the skirt and the length of the hair. The costume is now deliberately divided into two parts - a bodice and a skirt. The length of the skirt barely covers the knees. The waist line falls to the sides, so the bodice becomes longer. Deep neckline, and hands, after many decades, again naked. Some kind of half-girlish, half-boyish figure is in fashion. A woman - a boy diligently goes in for sports, dances foxtrot and Charleston. She struggles with excess weight, because the ideal is now a tall, slender woman. The biggest news in the history of fashion was the open legs, which were nude silk transparent stockings and elegant pointed shoes. These outfits were worn with wide-brimmed hats, set deep on the head. Bijouterie and jewelry played an important role in the design of evening dress, especially. Pearls and corals, rich embroidery on silk and the finest crepe de chine were offered in a large selection by the best Parisian salons, which further set the tone in this area. But along with fashion - luxury, long trousers, both sports and homemade, skirts, sweaters, which still remain in it, penetrate into women's fashion. Men's fashion, although it does not provide opportunities for special innovations, but still they are obvious. New clothes are in fashion - a black jacket with a vest and striped trousers. For solemn occasions, a tuxedo is preferred, which in its line meets modern public taste. Cylinder and bowler give way to soft felt hat. Gradually began to dominate sports type clothes in an environment where only secular costume was allowed before.
Conclusion: (slide 23 )
The history of clothing from ancient times to the present day is a “mirror” that reflects the entire history of mankind. Each country, each nation, in certain periods of its development, leaves its imprint, its specific features on people's clothing. Each new style speaks of the next stage in the development of society.
Crinoline - a wide skirt on a frame made of a thin steel hoop.
Tournament - a wide skirt, as well as a small pillow placed under it to add splendor to the figure.
IV. Lesson summary
Interview with students on:
What did you learn new?
- What styles did you know?
- Features of what styles do you meet today in clothes?
V. Cleaning jobs.
Literature
- Melnikova L.V. “Tissue processing”, textbook for students in grades 9-10, M., 1986.
- Kaminskaya N.M., “Costume History”, M., 1986.
- Kolyadich E.K., “ The World History costume, fashion and style”, Enlightenment, 1999.
- Orlova L.V., “The ABC of Fashion”, M., Enlightenment, 1989.
COSTUME
A
The work was done by the master p / o
profile "Seamstress"
MAOU interschool educational complex
Nickel village, Pechenga district, Murmansk region
Korovina Natalia Alexandrovna Purpose: to introduce students to the history of fashion.
Lesson objectives:
Educational: to give an idea about
the history of the development of fashion and changing styles,
develop the desire to deepen knowledge.
Developing: broaden your horizons; develop
personal self-education.
Educational: form
positive motivation for the subject;
cultivate aesthetic taste.
Equipment: workbooks, computer,
multimedia projector, presentation
Costume history.
DURING THE CLASSES
1.2.
3.
4.
Organizing time
new material
Fixing new material
Conclusion History of clothing development and daily practice
convince that in the art of dressing people as an artist
should be everyone, from famous fashion designers to
ordinary performers. Without an understanding of art
tasks cannot be achieved, even with excellent command of
necessary expertise such as
design, technology. Cultivate the artist in you
you can, if, firstly, sincerely want; Secondly,
to accumulate knowledge - erudition and horizons will never
interfere. Thirdly, to approach all knowledge creatively to compare, select, connect.
It is generally accepted that fashion lives like a bright butterfly
one day. Appeared, turned heads - and she is gone. However
it would be too simple, but fashion does not recognize
single line
you just.
Every
once
exist
circumstances that necessitate change and
contribute to the emergence of new fashion. Clothing appeared in ancient times as
means of protection from adverse weather, from
bites of insects, wild animals on the hunt, from blows
enemies in battle and, just as importantly, as a means
protection from evil forces. About what clothes were in
primeval age, we can make up some
presentation not only on archaeological
data, but also on the basis of information about clothing and
way of life of primitive tribes, still
living on Earth in some hard-to-reach and
areas far from modern civilization: in
Africa, Central and South America, Polynesia.
The emergence of clothing and fashion
Clothing - Clothingone of the oldest
- one of
inventions
ancient man.
inventions
Already in
monuments
person. late
Already in the monuments
Paleolithic
discovered
late stone scrapers
Paleolithic
And
bone
discovered
needles, stone
who served
scrapers
For
processing
and bone
and needles
stitching
who served
skins.
Material
for processing
for clothes,
and stitching
except
skins,
skins. were
Material
leaves,
for clothes,
grass,
woody
except for the skins
bark were
(For example,
leaves, Tapa
grass,
at
residents
woody
Oceania).
bark (eg.
Hunters
Tapa
And
anglers
residents used
Oceania). Hunters
fish
skin,
and guts
anglers
sea lion and used
other marine
animals,
fish skin,
avian
guts
skins.
sea lion, etc.
marine animals, birds
skins. First clothes
consisted of simple
pants, tunics and coats,
decorated with beads
painted
pebbles,
teeth, shells. wore
also fur shoes,
tied with leather
laces.
Animals
gave the skin instead
tissues, tendons instead
thread and bones instead
needles.
Cloth,
made from skins
animals, protected from
cold and rain and
allowed primitive
people live far away
north. Animal skins are still the most important material
for making clothes, but still a great invention was
use of sheared (plucked, matched) wool
animals. Both nomadic pastoralists and sedentary agricultural
peoples used wool. Probably the most ancient way
wool processing was felting. Ancient Sumerians in the third
millennium BC wore clothes made of felt.
Many items made of felt (headwear, clothes,
blankets, carpets, shoes, wagon decorations) found in the Scythian
burials in the Pazyryk burial mounds of the Altai Mountains (VI-V centuries BC
AD). Felt was obtained from sheep, goat, camel wool,
yak wool, horse hair, etc. felting is especially wide
was common among the nomadic peoples of Eurasia, among whom it
also served as a material for the manufacture of dwellings (for example, yurts at
Kazakhs).
Among those peoples who were engaged in gathering, and then
became farmers, clothing was known from specially
processed bark of a breadfruit, mulberry or fig tree. At
some peoples of Africa, Indonesia and Polynesia, such a fabric from
bark is called "tapa" and is decorated with multi-colored patterns with
using paint applied with special stamps. Having learned in the Neolithic era the art of spinning and
weaving, man used originally fiber
wild plants. The Neolithic transition to
cattle breeding and agriculture allowed to use for
making fabrics pet hair and fibers
cultivated plants (flax, hemp, cotton).
For the manufacture of clothing used and various
plant fibers. Of these, at first they wove baskets, sheds,
nets, snares, ropes, and then a simple interlacing of stems,
bast fibers or fur strips turned into
weaving. Weaving required a long, thin and
a thread of uniform thickness, twisted from various fibers.
In the Neolithic era, a great invention appeared -
spindle (the principle of its action is the twisting of fibers -
retained in modern spinning machines).
Spinning was the occupation of women who were engaged and
making clothes. Therefore, among many peoples, the spindle
was a symbol of a woman and her role as a mistress of the house. Weaving was also the work of women, and only with
the development of commodity production, it became
destiny
male artisans.
Weaving
the machine was formed on the basis of a frame for
weaving, on which the warp threads were pulled,
through which with the help of a shuttle then
skipped weft threads. In ancient times it was
three types of primitive weaving
machine tools:
1. Vertical machine with one wooden
beam (navoi), hanging between two
racks in which the thread tension
provided with the help of suspended to
warp threads of clay weights (like
the ancient Greeks had machines).
2. Horizontal machine with two fixed
fixed bars, between which
the base was stretched. Fabric was woven on it
strictly defined size (such machines
were among the ancient Egyptians).
3. Machine with rotating beams.
Fabrics were made from banana bast,
hemp and nettle fibers, flax, wool,
silk - depending on the region, climate
and traditions. The clothes of ancient Greece have
five
distinctive
features:
regularity,
organization,
proportionality,
symmetry,
expediency.
In ancient culture, the body
human
first
became
be seen as a mirror
reflective
unity
And
the perfection of the world. Roman
architect
Mark
Vitruvius
Pollio, 25 BC e„ by example
human body aspired
show the features of any
perfect
creations,
created by man. According to the canons of fashion of that time
the dress was not cut. Tailored
costume, in the modern sense of this
words, Greek clothing did not know. For
this time is characterized by the identification
plastic properties of tissues
difficult
rhythms
draperies.
Rectangular
pieces
fabrics,
fastened in some places
clasps, did not emphasize forms
body, slightly protruding under
clothes. These robes were called differently: chiton, himation, toga,
tunic. Already in ancient times, colors
had
own
symbolic
meaning; so for example white
color
was
fixed
behind
aristocracy,
A
black,
purple, dark green and
gray - expressed sadness. Green
and browns were
ordinary rural flowers
residents. The aristocrats had
his
wardrobe
belts
from
precious metals, pins
chryselephantine,
necklaces,
bracelets.
This
testifies not only to
refined
taste,
But
And
technical maturity of that era. Contained in underlining
vertical
lines
V
clothes.
Dress
medieval
women
had a very high line
waist, elongated neckline
forms,
narrow
long
sleeves, skirt gathered in
folds usually only with
one
sides.
Skirt
expanded
downward
And
passed
V
long
plume. most expressive
was a head ornament
conical
"hats"
which
reminded
towers
gothic
cathedral.
The men wore short
jacket, tight pants,
outlining the figure.
Sharp-nosed complemented the outfit
shoes. Catchy clothes toy
epochs were sewn from brocade,
cloth, expensive velvet,
which
supplemented
embroidery and furs.
Renaissance
Renaissance fashion originated inItaly - the cradle of the era
Renaissance. For this style
characteristic
monumentality
figures.
Women's
cloth
becomes wide and comfortable,
exposed
neck
And
hands.
Renaissance fashion, they said
its theorists, first of all,
should have been rich. And this
wealth manifested itself not only
in expensive fabrics and patterns, but
also in the design of the sleeves.
Narrow
elegant
sleeve
renaissance dress of the 15th century,
first on the elbows, and then in
armhole, was cut. Probably this capricious
detail can be explained
the demand for time
special attention to agility,
mobility. For the first time in this
period women's clothing became
strictly share the pattern on
long skirt and bodice, often
laced.
Women's
dresses pulled tight
metal
corset
And
tight petticoat with
metal hoops. The men's suit was
stylized as a suit
knight. But medieval
knight replaced by cavalier
courtier
dress
from
atlas,
brocade,
velvet.
Short pants men
stuffed with cotton, tow,
straw.
Rigid
lacy
collars
deeply protected the neck.
The convenience of this clothing is not
was different. Shoes start
sew from leather, decorate
pearls,
ribbons,
laces and buckles.
Baroque
Baroque style clothingcharacterized by complexity
and multi-layered. Outfit
women differed by contrast
forms: thin slender camp
matched
With
magnificent
domed skirt. bodices
began to lace up. prominent
sleeves play a role in clothes
they are completed with cuffs with
lace in the form of a bag,
which reached almost an elbow.
Women's dress got rid of
wide skirts with hoops,
lines become softer and
smooth. Men wear Spanish, short puffy pants in the form of tubes
lengthened below the knees, and with them the shoes changed.
High military boots, often above the knees, elongated in the form
bag, filled with lace. Cavaliers wear long
curly hair, soft flat felt hat,
adorned with feathers, and a cloak. Lace is used for
clothes for both men and women. Jewels now
are much less popular than before.
However, in general, clothing
much easier then
clothing from previous eras. This was the period when
massive
production
clothes
And
specialized trade
fashionable
accessories
acquire
big
span. From this time on
England has learned the word
crinoline. That's when he
is
yourself
gathered
domed skirt, uniform
which
supported
numerous lower
skirts. The manufacture of them
mostly by hand
demanded infinitely
time. With improvement
sewing
machines
artificial
crinoline. Style clothes
rococo did not endure
strong changes in
compared to clothes
baroque style. Only
lines have become even more
subtly graceful.
Classicism
Is being donelogical
transition
all
inclined
To
classicism trends
to antiquity. Women's
fashion has taken a cult
antiquity
almost
unconditionally.
The neckline is exposed.
New
style
characterized
severity
lines,
clear proportions,
simplicity of form. Freed the female body from
corset.
Dress
lung
transparent,
from
air
muslin and cambric fabrics
tight around the waist
chest,
emphasizing
natural slim figure.
Emphasize the shape of the head
smooth
combed
hair,
divided
in the middle
parting that fit
in a net or braided into braids.
The only decoration was
curls. Jewels in the form
cameos, necklaces, chokers evoke
big interest. They wear on the head
caps and hats of various
forms. In this period
simplified
men's
suits,
main
requirement
become
good
cut
And
elegance,
A
Not
splendor and luxury.
The frock was usually
usually dark colors. At
shirts
–
high
collars
And
tie,
which
“supports
head
according to
proper, worthy
provisions."
Day
costume
supplemented
cylinder. Shoes are low
flat, no heels.
Romanticism
We fall into the era when it comes"disintegration of styles". Back in a dress
appears
crinoline
–
hips
grow to unprecedented proportions
under curvaceous dress body
almost hidden. For underlining
waist again required corsets. To
optical impression of a thin waist
was even bigger, expanded
sleeves. They were so big that they
corresponding
"inflated
view"
necessary
was
support
whalebone. Get addicted again
jewelry;
big
products were popular
from
pearls,
necklaces,
brooches,
decorative combs. Hats close
in the shape of a cap, decorated with flowers,
ribbons and flounces. strongly open
the neck allows you to “highlight” the head, and
then they again began to use complex
hairstyles. They were very skillful
often
reminding
For example,
decorative architecture. Winter coat
is replaced by a coat - figurative
thick woolen dresses
fabrics. Dressed over the dress
only
wide
capes.
Length
skirts
decreased
so the shoe became visible on
with higher heels
lacing. Men's suit
becomes more restrained. TO
tailcoat
rely
long
trousers, an indispensable top hat and
a tie to tie
now more is given
attention.
Upper
cloth,
coat, sewn according to the figure. On
legs
wore
low shoes,
high
boots.
by the most
became a big fashion statement
coats. Swift
changing dress shapes from
lung
semiadjacent
To
heavy, dense,
puffed sleeves with
bustles,
which
visually enlarged
the lower part of the torso.
requirement
conservative
fashion
was
stylized
woman
–
flower,
woman
salons,
theaters, this woman,
still tied with a corset. On the other side
starts
the present
movement
against
corsets,
supporters
who was talked about
harmfulness and sought
prohibit wearing it. IN
late XIX fashion creates
new type of clothing
skirt
flare
And
"ham-shaped"
sleeves, helping
creating clothes in style
modern
(giving
figure
"S-shaped"
form).
Fashionable clothing of the XX century
Punks
Consolidation of the material covered What is fashion?(“Fashion” - translated from Latin for us means
temporary predominance of certain tastes)
Do you think fashion has always been
did it happen once?
(It will not be a mistake to assume that it exists for so long
as much as humanity itself. Studying history
costume, you must remember that this is part of the story in
broadest sense.)
What are the people who work on
creating models?
What famous fashion designers do you know?
Used Books
1. Melnikova L.V. "Tissue processing"textbook for students in grades 9-10, M.,
1986.
2. Kaminskaya N.M., “Costume history”, M.,
1986.
3. Kolyadich E.K., “World history of costume,
fashion and style”, Enlightenment, 1999.
4. Orlova L.V., “The ABC of Fashion”, M.,
Enlightenment, 1989.
