Kinusaiga on the polystyrene of the scheme. Master class "Kinusaiga-patchwork without a needle

The needlewomen know. But what is kinusaiga, many have only heard. The unfamiliar magic word actually means the art of making pictures from silk patches. A kind of patchwork, only without a needle. This type of needlework was born in Japan. At the origins of the kinusaiga was Setsu Maena, a professor at a Japanese university. Over time, kinusaiga spread beyond the borders of the homeland and European craftswomen immediately adopted this technique of creating beauty with their own hands. But how can you get past the creation of amazing things from the scraps and remnants of silk fabric? Simply put, European needlewomen got the art of creating masterpieces, saving on expensive materials.

At the origins of the kinusaiga stood Setsu Maena - a professor at a Japanese university

Kinusaiga or patchwork without a needle: details about the technique and tools that are needed

The kinusaiga technique does not involve the use of a needle as in the patchwork technique, but is based on making a sketch on paper, which is then transferred to a wooden board.

A cut is made along the contour of the sketch - a recess. After that, the picture itself is made directly with shreds of silk. These pieces of Japanese silk were taken from old kimonos, which the economical Japanese never threw away - silk after all.

The shreds are laid out on the cut elements of the sketch and the edges of the shreds are pressed into these same slots. With the right selection of colors and colors, the paintings are uniquely beautiful. And it would seem - scraps of an old kimono! We can say that the natural economy of the Japanese became the parent of this art - kinusaigi.

Gallery: kinusaiga (25 photos)

Kinusaiga: master class (video)

How to make a picture on foam plastic from fabric with your own hands: a master class for beginner needlewomen

How to make a painting in style New Year in patchwork for children? Christmas patterns always look beautiful and festive. You can talk about the art of kinusaiga for a very long time. But it’s better to see how to make at least a small masterpiece with your own hands. Below is a technique for creating a painting on foam for beginners.

What you need to start the master class:

• foam sheet (thickness not less than 1 cm;
• scraps of fabric of different colors;
• scissors;
• clerical knife (scalpel);
• nail file (for stuffing fabric into foam);
• sketch (your own or you can take any ready-made);
• carbon paper.

The fabric must be selected not stretchy and thin enough. The edges should not crumble.

First, look at what is in stock: old scraps, remnants of fabrics that were not thrown away after sewing some kind of wardrobe item. Everything will go to work. If the check of the storerooms did not give a result, then you will have to take whole pieces and cut out the elements of the planned picture from them.

Process:

First you need to decide on the pattern. For the first time, you should not choose something complicated, with many elements. Let it be light geometric shapes. And from them you can already build a small nice house.

Using a sheet of carbon paper, you need to transfer the sketch to a piece of foam.

With a knife or scalpel, make a cut along the contour of the sketch to a depth of about 3 mm.

Cut the selected fabric into pieces of the desired size. With a nail file or something more convenient, fill the pieces of fabric into a sheet of foam. Thus, fill the whole "picture". The edges of the fabric should be tightly fixed in the slots.

Cut off the excess edges of the foam with a scalpel or clerical knife.

Further, the resulting panel can be framed. It can be purchased, or you can make it yourself. If there are suitable materials. You can simply make a border with decorative tape, which needs to be fixed with beautiful pushpins. These buttons are available at any stationery store. Buttons of bronze or gold colors look beautiful.

Often the kinusaiga technique is used to decorate lids for boxes or boxes (for example, for sewing accessories or cosmetics).

Stunning Christmas decorations and crafts are obtained using this technique.

Kinusaiga: simple patterns and their execution

Kinusaiga allows the use of any scheme that is at hand. You can buy templates or you can make your own. The easiest way is to use stencils. As an example, below is a kinusaiga master class on a simple template.

To complete this needlework you need:

• A3 size cardboard;
• A4 size cardboard;
• scraps of fabric of different colors;
• synthetic winterizer;
• glue;
• nailfile;
• threads;
• needle;
• scissors;
• acrylic paints;
• the brush is thin;
• cord (soutache) of different colors;
• pins;
• frame.

Scheme for creating a picture:

In the work, you can use any shreds that you can find.

1. The drawing must be transferred to tracing paper. Cut into component parts - details.
2. After the division is completed, you need to number the parts of the picture. Then cut out the elements from the fabric along them. At the edges you need to leave an allowance of 3 mm.
3. Then prepare the canvas for the future painting. For this purpose, you need to take a sheet of ceiling tiles. The thickness should be half a centimeter. Glue the sheet onto thick cardboard.
4. Glue the second copy of the drawing that was printed out in advance to the foam. Cut a groove in it, the depth of which should not exceed 2 mm, along the outline of the sketch.
5. Apply glue to the cut grooves with a glue stick. When doing this Japanese needlework for the first time, it is recommended to smear the entire surface with a glue stick.
6. This is followed by the process of creating the appliqué: the edges of all the parts made from fabric must be pushed into the grooves so that their edges sink into the grooves and are tightly fixed there.

Some ideas and schemes for decorating a kitchen using the kinusaiga technique

Below are sketches and diagrams for decorating and decorating the kitchen with kinusaiga paintings.

This whole application is not done quickly, but the result is worth it to spend time on it. Embroidery with needles takes much more time than paintings made using the kinusaiga technique. When the basic knowledge of the kinusaiga technique is fixed, you can take on more complex panels and paintings that will surely decorate the house and become great gift for any holiday.

With the spread of the art of kinusaiga around the world, specialized shops began to open, in which they began to sell tools for this type of needlework. Also, special sets of fabrics appeared on sale (not every European has an old kimono at home that can be put into patches).

In addition to fabrics, you can also purchase combined sets in such stores, which include tools, fabrics and drawings - sketches of varying degrees of complexity. Such sets are designed for both beginner needlewomen and those who have been practicing this art for more than a day.

Here's what these sets look like:

Materials and tools:

• stretch velvet (multicolor) of brown, green, olive, red, beige colors and their shades;
• silk of white, yellow, orange, burgundy, red, gray, green, blue, beige colors and their shades;
• double-sided self-adhesive film;
• aerosol glue;
• glue "Titan wild"
• foamocraton;
• scissors;
• fabric paints;
• designer knife;
• nail file or pen knife with a sharpened blade;
• fabric paints.

You can start 🙂

Preparing the basis of the painting

Base dimensions: width - 43 cm, height - 57 cm. We cut out sheets from foam board 5 mm wide and fiberboard according to the size of the future picture. Then we apply Titan wild glue on the fiberboard, stepping back from the edges about 7 mm, and wait 1.5–2 minutes.

When the glue thickens a little, put a sheet of foam board on top, align the corners and press firmly. Leave the base under the press until completely dry.

Preparing a sketch of a painting

The size of the sketch is large - width 35 cm, height 48.5 cm, so we print it on two sheets of paper and “adjust” the halves according to the drawing.

We measure the dimensions of the passe-partout fields on the basis: top, sides 4 cm each, bottom - 4.5 cm. Glue the sketch onto the base using glue spray. We fix the second sketch on a self-adhesive film, removing the top protective layer or using spray adhesive. It is not necessary to match the halves.

We cut through all the lines of the sketch in the picture with a designer knife to a depth of about 3–4 mm.

Advice: when cutting lines on the base and tucking fabric into them, hold the tool strictly perpendicular, without tilting it to the right or left.

Work on the painting

Consider fabric combinations.

Advice: best way to get desired shades fabric - dye it yourself. We do not strive for uniform coloring. The more color transitions will be on the details, the more interesting the finished picture will turn out.

We will lay out the trunks and branches of trees with velvet, and everything else with silk. You can fill the fabric in the slots of the base with a nail file. It is advisable to reduce the thickness of the nail file on the knife sharpening bar, and then process it with fine-grained sandpaper. Instead of a nail file, you can use a special metal spatula for working in the kinusaiga technique or a feather (designer) knife, after grinding off the tip of its blade and polishing the edge.

Let's start with the foliage in the tops of the trees. For her image, you will need silk of yellow, orange, red, burgundy colors and their shades. From the second copy of the sketch on the cutting mat, cut out with a knife paper template for every detail. Removing the bottom protective layer, glue the templates to the fabric and cut out the details.

Then we remove the templates and carefully fill the parts into the slots.

We continue to gradually lay out the foliage.

From time to time we add details from the fabric blue color to depict the sky through the gaps in the branches. Do not forget that on one side the trees should be illuminated more strongly than on the other.

Advice: to give the foliage additional shades, you can use the technique of double overlaying the fabric.

To do this, you need a thin silk chiffon with stains of yellow, white, orange, beige, red. We lay it out on the filled part.

We find a suitable pattern by moving the fabric and glue the template on top.

We cut out a new part and fill it over the first one.

Intermediate result.

For foliage in the lower part of the tree crown, we use green, olive, blue-green silk.

Galina Litvinenko

A little about the history of origin kinusaiga.

Japan has given us such world famous wonders as origami, temari, ikebana, bonsai, anime, aikido and much more. In terms of needlework, the Japanese, like no one else, are capable of painstaking manual labor, including often masterfully transforming old things into new ones.

Unique art kinusaiga originated in ancient Japan several centuries ago, but eventually lost its popularity. Only in the 80s of the last century patchwork without needles again became relevant and revived as a form of creativity.

Kinusaiga, like patchwork in its classical form, appeared due to the need to save. In ancient times, in the Land of the Rising Sun, poor Japan, no one threw out old worn out kimonos, because natural silk- the fabric is very expensive.

Therefore, after the kimono wore out, and it happened rather quickly, its mistress, not wanting to throw it away expensive clothes, ripped it open, and small things were created from large pieces of fabric, and small shreds were used to make unique paintings, the sight of which was simply breathtaking.

Kinusaiga even in Japan itself is not very common. Exclusive paintings are always created exclusively by hand, which is why they are very expensive.

Patchwork without a needle.

The application is at the heart of the technology. Here, as well as in kinusaige, flaps of fabric are superimposed on a flat or voluminous surface, their edges are tucked into pre-made slots-grooves, and as a result, some kind of pattern is obtained. In order to decorate work in technology "patchwork without needles» decorated with braid, cords and ribbons.

Caskets, boxes, covers of albums, notebooks and books are decorated with such an application. This technique has become very widespread in the field of making souvenirs. Easter eggs, Christmas decorations, valentines. And a patchwork without a needle is used to decorate lampshades and even furniture. How exactly do they do it?

Basics kinusaiga: master class for beginners.

In order to create your own home masterpiece using the patchwork technique without a needle, you will need to purchase a sheet of foam, prepare pieces of fabric, a simple pencil, a ruler, PVA glue, a scalpel, a metal spatula, one end of which must be blunt.

First you need to choose a pattern that will be applied to the base. For the first time, it is recommended to stop at something not very difficult.

Then, using a sheet of carbon paper, you need to transfer the selected sketch to a piece of foam.

Using a dummy knife, cut grooves in a piece of foam, while their depth should be no more than 2-3 mm.

Prepare selected shreds of silk fabric. It is necessary to cut them so that they match the shape of the part, but at the same time leave an allowance of about 1 mm.

Now you should insert the edges of the cut out patches into the slots of the foam, filling them with a nail file. As a frame, you can additionally use braid or satin ribbon, also tucking it into the slots over the fabric flaps.

The resulting picture can be inserted into a frame, or you can use fabric to frame it. It all depends on the taste and imagination of the craftsman.

Realizing basic fundamentals performing technique Kinusaiga, you can safely move on to creating more complex and interesting products with your own hands ( gift boxes, boxes for small things, toys, interior items, etc.).

This is such a surprise simple technique And original way making souvenirs. Patchwork without needles will fully satisfy your needs for creativity, even if you do not know how and do not like to sew, but are a fan patchwork. Create, create and enjoy the process and the result!

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Despite the fact that for many the word "patchwork" sounds unusual, they have been doing it for a very long time. It means a unique kind of creativity. With it, you can create beautiful crafts that are necessary in the household and usefully get rid of old things that accumulate in piles in every home. The patches are selected according to the color scheme and sewn into something whole. In the future, this turns into and much more. Patchwork without a needle does not require sewing. At first glance, its technology is simple. Take scraps, compose a picture and create. However, not everything is as easy as it seems.

How kinusaiga was born

If a simple patchwork was distributed almost everywhere, then a patchwork without a needle was invented in Japan. This was done by Maeno Takashi, and most recently, in 1987. The purpose of the new creativity was the same as the usual patchwork - to attach old things somewhere. Kimonos have traditionally been the main clothing of Japanese women. Beautiful, delicate to the touch, made of expensive silk. Of course, even worn ones are a pity to throw away. So they began to create masterpieces from them, at the sight of which the spirit is breathtaking. They called such a patchwork without a kinusaiga needle.

Despite the fact that this type of needlework originated in Japan, even there, few people practice it. The reason for this is the great painstaking work. Pictures are made only by hand. Therefore, each, even the simplest in plot, becomes a work of art.

Classic kinusaiga

Patchwork without a needle, the master class of which is given below, in fact, is not so difficult to perform. Step by step process technology is as follows.

1. A board is taken.

2. A drawing is selected.

3. This drawing is applied to the board and paper, tracing paper is better, because it is transparent.

4. Each fragment is numbered. Check if the numbers on paper and on the board match. They must match.

5. The paper is cut into the drawn fragments.

6. Recesses (grooves) are made on the board along all lines. Their depth should be within 2 mm, and the width should be less than 1 mm.

7. Paper fragments are fixed to the fabric with something, for example, pins. desired colors and circled with an allowance of a couple of millimeters along each contour.

8. Shreds are cut out and stacked according to their numbers on the plank.

9. Using any suitable tool, the edges of the patches are pushed into the grooves.

All. It remains to insert the picture into the appropriate frame.

The intricacies of Japanese patchwork needlework

You involuntarily wonder if patchwork without a needle is so simple, why are paintings in this style so expensive? Their cost starts from tens of dollars, and exclusive works cost several thousand. The fact is that a good picture, as a rule, contains a lot of tiny fragments. Sometimes their number is more than a hundred. All these shreds are not arranged randomly, but as if the artist was painting an oil painting. The tone of the patches is carefully selected to convey the magical beauty of the dawn, the tenderness of the blossoming cherry blossoms or the beauty of the autumn fireworks of foliage. That is why real kinusaiga is so difficult. Patchwork without a needle requires a lot of perseverance, care and talent. You can come up with an image yourself, or you can take a ready-made template. But in any case, you need to observe the combination color schemes, accurately withstand the transition from light to shadow, perform a lot of small details so that the picture "comes to life".

Where to begin

If the soul has become attached to Japanese patchwork art, but so far there is neither experience nor confidence, it does not matter. The main thing is the desire. Kinusaiga for beginners also exists. Its technology is the same as for experienced craftsmen. The only difference is in the composition of the drawing. It is advisable to start by choosing simple circuits, in which there are few fragments and there is no great need to withstand tones and semitones. In this case, images of animals, such as a rooster or a parrot, are very suitable. You can pick up any shreds here, and don’t worry if somewhere they don’t fit well. The main thing is to fill your hand.

You can also advise to make a fly agaric. As they say, simple and tasteful. To facilitate the task, it is better to make the red part of the hat not whole, but to break it into several fragments.

Also suitable for beginners, consisting of geometric shapes- squares, triangles, circles. If you choose the right colors, it will turn out beautifully. Some like this style even more than classical realism.

Plank replacements

The further kinusaiga conquers the world, the more new ideas appear in it. One of the latest is a patchwork without a needle on foam. It is quite difficult to carve even a simple pattern on a tree. It requires special tools and skills in carving. Styrofoam is the ideal alternative. The only thing to remember is that it is fragile and breaks easily. Therefore, the finished product will have to be attached to the same board or to thick cardboard. In addition to polystyrene, polystyrene foam is excellent, the texture of which is more durable. Such a kinusaiga is extremely convenient for beginners, because polystyrene and polystyrene are cheap, you can train on them as much as you like. Both materials are sold in any hardware store or market. Ceiling tiles without volumetric patterns are suitable. At home, they can be cut with ordinary scissors or a knife in the shape of a future picture. Further technology is the same as with the plank.

Volumetric patchwork without a needle

The classic kinusaiga is very beautiful and causes only admiration. But the inquisitive minds of craftswomen come up with more and more of its variations. So, in order to give volume and realism to the images, they began to insert not only the edges of the patches into the grooves, but also pieces of lace. This improvement looks especially beautiful in paintings depicting ladies or children. The angle is chosen such that the face is not visible. The main emphasis is on creating lush frills, ribbons and bows on hats and garters.

Those who, together with fabrics, use other materials, such as gilded or plain threads, went even further. Also, some masters attach beads, rhinestones or beads to a picture already assembled from shreds. More often, such elements are added in children's themes or for decoration. New Year's toys, boxes, gift boxes.

Christmas decorations in the style of kinusaiga

It is possible to create using Japanese technology any objects, the use of which does not involve mechanical deformations, for example, during the game. So, craftswomen use patchwork without a needle for Christmas tree toys, Easter eggs, gifts for Valentine's Day and other cute little things. To make any of them, the same foam plastic is taken, only not ceiling tiles, but pieces of thick plates. From them blanks of the desired shape are cut. It can be balls, hearts, cones, any others. If there is no plate of the required thickness, the workpiece can be glued together from fragments. Further work is carried out general principle. Craftswomen for round balls are advised to take stretch, knitwear or velvet, because these fabrics fit better on bulges. Some craftsmen glue shreds to foam to better hold. Such crafts look very nice, decorated with gold threads, “snow” from the same foam or finely chopped rain.

Caskets and boxes

To make a beautiful box or gift box, also ideal for patchwork without a needle. Schemes for these products are selected depending on the purpose of the product. If jewelry is supposed to be stored in the box, you can choose a pattern with an elegant lady or some kind of female accessory, such as a hat. If the box will be used for children's little things, a drawing with a funny little animal will do. But more often, images of flowers are taken for decoration. For simplicity of the problem, it is better to take the most common cardboard box suitable size. From the foam, cut out rectangles corresponding to its sides. If only the lid is supposed to be decorated, the rest of the sides are simply covered with a fabric to match. You can pre-glue thin foam rubber to the cardboard. Further, on the central piece of foam, the intended kinusaiga is made, attached to the lid of the box, and the box is ready. To make it look beautiful around the edges, they are decorated with ribbon or braid.

The kinusaig technique for beginner craftswomen may seem complicated, especially if the edges of the patches do not want to stay in the grooves. Some try to stick them, but this worsens the final result. It is better to try to make the grooves a little narrower and a little deeper.

When choosing the exposure of a future painting, it is advisable to avoid complex, too bizarre forms. Masters often create landscape compositions or “draw” city blocks, houses and courtyards with patches. You can rarely see flowers in the paintings. Even rarer people, especially faces. After all, it is almost impossible to make a face from scraps look like a living thing.

In order not to be mistaken and not to confuse the shreds, before you start pushing them into the grooves, you need to visually assess the future picture, because the pieces of fabric are already laid out on the board.