home » Etiquette » The attitude of Oblomov and Stolz to the family and parents. The role of the family in shaping the personality of the heroes of the novel "Oblomov" (School essays) The role of the family in the formation of Oblomov

The attitude of Oblomov and Stolz to the family and parents. The role of the family in shaping the personality of the heroes of the novel "Oblomov" (School essays) The role of the family in the formation of Oblomov

I.A. Goncharov wrote amazing novels that were relevant to the writer's contemporaries and remain so in our time. One of Goncharov's most famous works is the novel Oblomov, named after the protagonist. In the novel, Goncharov considers a special type of people, of which Oblomov is a representative, as well as the attitude of the hero to different aspects of life. The work shows Oblomov's attitude to education, career and family.

Character traits of a person, his habits or habits - all this comes from the family and, accordingly, depends on upbringing. Ilya Ilyich Oblomov, who lives on Gorokhovaya Street, practically never leaves his house. He is still quite young - he is only 32 years old, but Ilya Ilyich suffers from his passivity and apathy. He is not interested in anything.

The hero received his education in Oblomovka (his village), so Oblomov's attitude to education is as follows: he believed that it was useless. Thinking activity, memorizing something only tired and put poor Ilyusha to sleep. Oblomov's parents allowed him to do everything: sleep as much as he wanted, eat heartily, be lazy and mess around. Ilya Ilyich left Oblomovka, his parents died, but his views remained the same.

You can remember one detail that says a lot - this is the immutability of Oblomov's dressing gown. He always walks in a dressing gown and at the end of his life, when the hero is sick, and Stolz and Olga come to visit him, the first thing they notice is Agafya Pshenitsyna, who is repairing Oblomov's dressing gown.

We also note that Oblomov is the result of a noble education.

The upbringing and education of Oblomov is fundamentally different from the life of Stolz. The active, lively Stolz was educated abroad and constantly strived for self-improvement, be it the humanities or technical sciences.

Stolz was brought up by ambitious parents, but not too rich. From his father "inherited" Stoltz received a love for work, from his mother - for art. Thus, Stolz's attitude to life is not a bit like Oblomov's attitude. Stoltz treated education with reverence and respect.

Comparative characteristics of heroes

So, we found out that Oblomov in the work of Goncharov is radically opposed to Stolz. Stolz came from a poor German family, Oblomov is a hereditary nobleman. Stolz is looking for an equal in views and inner strength a woman; Oblomov needs a woman who can provide him with maternal care and love. Recall the short romance of Oblomov and Olga: initially he was doomed, but Ilya Ilyich's connection with Agafya Pshenitsyna found a future.

Oblomov's attitude to education is not the best - he hardly learned to read and write, and that was enough for him. Stolz, on the other hand, received some skills at home (he was taught by his father), and then went to conquer the university.

The fate of Stolz and Oblomov

In the life of Oblomov, at some point, enlightenment frowned. This is the appearance in his life of Olga. For a while, Oblomov was unrecognizable! However, after Oblomov did not want to go on a date with Olga, because "the bridges were shaky", the reader understands that Olga's work on the character of Ilya Ilyich is a waste of time.

Oblomov settles in the house of Agafya Pshenitsyna, they have a child. Oblomov dies, and his life remains unremarkable and dull.

Stolz has a completely different life. He marries Olga, they take Andryusha, Oblomov's son, to be brought up, they travel a lot.

Thus, the reader sees how the upbringing and education of Stolz and Oblomov influenced their future life. Oblomov remained, if not physically, then in his dreams in his beloved village of Oblomovka, and Stolz began to build a new, own life.

Olga and Stolz in the novel "Oblomov"

An important plot line of the novel "Oblomov" is the relationship between Olga Ilyinskaya and Andrei Ivanovich Stolz. They are bright, purposeful, active personalities who, it would seem, are ideally suited to each other - their marriage seemed to be predetermined and logical from the first meeting with the characters. However, despite the similar characterization of Olga and Stolz in the novel Oblomov by Goncharov, the characters, having lived together for several years, feel unhappy, unfulfilled and, in their own way, bound by the bonds of marriage. The reasons for this lie in the fact that the girl considered marriage another step towards personal development, and the man saw it as a safe haven where you can relax from the bustle of the outside world.

Features of the relationship between Olga and Stolz

The relationship between Olga and Stolz begins with good friendship and mutual respect. A young girl is interested in an adult man, who helps her to learn more and more about the world around her and develop as a full-fledged intellectual person. Stoltz, on the other hand, saw in Olga a grateful student, he liked that the girl admires him as a mentor and teacher. It is Andrei Ivanovich who introduces Olga to his friend Oblomov, and then sincerely worries that the lovers broke up.

After the girl, having a hard time parting with Ilya Ilyich, left for Europe, Stolz, as a best friend, spends almost all her free time with her, gradually becoming fascinated by Olga not as an interesting interlocutor and student, but as a woman, and therefore decides to make her an offer. The girl happily agrees to marry the reliable Andrei Ivanovich, who inspires her, and, it would seem, they will have a happy union of two personalities striving forward and supporting each other, but both heroes were not ready for a classic marriage, as they put completely different meanings into this concept.

Brought up in the family of a German burgher and a Russian noblewoman, Stolz from childhood absorbed the image of a woman-keeper of the hearth - his mother, a gentle and sensual creature, experienced in the sciences and arts. Andrey Ivanovich's ideal was a woman who, no matter what, would always take care of him, surround him with warmth and love, directing herself entirely to her family - this is what he expected from the bright, artistic Olga.

The girl did not want to limit herself to family and home, she did not want to live according to the usual scenario of the female fate of the 19th century. Olga needed an inspirer and teacher who could endlessly satisfy her irrepressible thirst for knowledge, while remaining sensual, emotional and loving person, that is, an almost ideal man.

Why is the marriage and love of Olga and Stolz tragic?

As a result of a misunderstanding between the spouses, after several years of marriage, Stoltz realizes that it is hard for him to constantly reach out and live up to Olga's male ideal, while the girl begins to suffer from her husband's excessive rationality and sensual stinginess, remembering the dreamy and gentle Oblomov. Between Olga and Stolz there is no love that was between Olga and Ilya Ilyich. Their relationship is built on friendship, mutual respect and duty, which have replaced true love between a man and a woman, and therefore are inferior and destructive for both characters.

Some researchers, analyzing the relationship between Olga and Stolz, point out that if Goncharov had described the fate of their marriage, he would undoubtedly have ended in divorce. And not only because Andrei Ivanovich is too rational and cannot give his wife all the love and sensuality that she valued in Oblomov, but because of their internal incompatibility and, as mentioned earlier, different vision family life. Stolz condemned Oblomovism all his life with its calmness and satiety, but unconsciously strove for it as the focus of that spiritual warmth and mutual understanding that he valued in his friend. And having married, Andrei Ivanovich seems to recreate the "hated" Oblomovka on his estate, where he lives with his wife and children, hoping to find peace and quiet happiness here.

Stolz simply changed the concepts, considering "Oblomovism" just a new stage in his life, but Olga, whose nature is in every possible way opposed to any manifestations of "Oblomovism", feels unhappy in the cage of family and marriage, remaining married to Andrei Ivanovich rather out of duty than because of strong feelings. But her patience is not endless - as soon as her husband ceases to be an inspiration and authority for her, she will leave him, just as she left Oblomov.

Depicting the relationship between Olga and Stolz, the author wanted to show that a happy family impossible without mutual love, even if the spouses have common interests and similar characters. Comparing their marriage with the marriage of Oblomov and Pshenitsyna (which, although it led to the death of Ilya Ilyich, made the hero happy), Goncharov emphasized that true harmony in relations is possible only when people have common life values and accept each other as they are .

Stolz and Oblomov: relationship (based on the novel "Oblomov")

In the novel Oblomov, Ivan Aleksandrovich Goncharov wanted to contrast Western and Russian culture. Oblomov and Stolz are two key images of the work. The novel is built on the reception of antithesis. It is realized through the opposition of these two characters of the work. In many ways, Stolz and Oblomov are opposite. In Russian classical literature there are many works constructed in this way. These are, for example, "A Hero of Our Time" and "Eugene Onegin". Such examples can also be found in foreign literature.

With "Oblomov" the novel "Don Quixote" by Miguel de Cervantes most of all echoes. This work describes the contradictions between reality and a person's idea of what an ideal life should be like. This contradiction extends, as in Oblomov, to the outside world. Like Ilya Ilyich, Hidalgo is immersed in dreams. Oblomov in the work is surrounded by people who do not understand him, because their ideas about the world are limited to its material side. True, these two stories have a diametrically opposite outcome: before his death, an insight comes to Alonso. This character understands that he was mistaken in his dreams. But Oblomov does not change. Obviously, this outcome is the difference between the Western and Russian mentality.

Antithesis - the main technique in the work

With the help of antithesis, it is possible to draw the personalities of the characters more voluminously, since everything is known in comparison. It is impossible to understand Ilya Ilyich by removing Stolz from the novel. Goncharov shows the strengths and weaknesses of his characters. At the same time, the reader can look from the outside at himself and his inner world. This will help prevent the mistakes that the characters Oblomov and Stolz made in Goncharov's novel Oblomov.

Ilya Ilyich is a man with a primordially Russian soul, and Andrey Stolz is a representative of a new era. In Russia, there have always been and will be both. Stolz and Oblomov are characters through whose interaction, as well as through their interaction with other heroes of the work, the author conveys the main thoughts. Olga Ilyinskaya is the link between them.

The value of childhood in the formation of the characters' characters

Childhood in the life of every person is of great importance. Personality in this period is not yet formed. A person, like a sponge, absorbs everything that he offers. the world. It is in childhood that upbringing takes place, on which depends what a person will become in adulthood. Therefore, an important role in Goncharov's novel is played by the description of childhood and the upbringing of future antipodes, which are Ilya Oblomov and Andrei Stoltz. In the chapter "Oblomov's Dream", the author gives a description of the childhood of Ilya Ilyich. He recalls Oblomovka, his native village. After reading this chapter, we understand where immobility and laziness appeared in the character of this hero.

Childhood of Ilya Oblomov

Stolz and Oblomov were brought up differently. Ilyusha is like a future gentleman. Many guests and relatives lived in his parents' house. They all praised and caressed little Ilyusha. He was exquisitely and a lot fed with "cream", "crackers", "buns". Food, it should be noted, was the main concern in Oblomovka. She spent a lot of time. The whole family decided what dishes would be for dinner or lunch. After dinner, everyone fell into a long sleep. So the days passed: food and sleep. When Ilya grew up, he was sent to study at the gymnasium. Parents were not interested in Ilyusha's knowledge. They were only interested in a certificate that he had gone through various sciences and arts. Therefore, Ilya Oblomov grew up as an uneducated, downtrodden boy, but kind at heart.

The childhood of Andrei Stolz

Stolz, on the other hand, is just the opposite. Andrei's father, a German by nationality, raised independence in his son from an early age. In relation to his child, he was dry. Purposefulness and rigor are the main features that his parents invested in Andrei's upbringing. All family days were spent at work. When the boy grew up, his father began to take him to the market, in the field, forced him to work. At the same time, he taught his son the sciences, the German language. Then Stolz began to send the child to the city on errands. Goncharov notes that it never happened that Andrei forgot something, overlooked it, changed it, made a mistake. The Russian noblewoman, the boy's mother, taught him literature, gave spiritual education to her son. As a result, Stolz became a smart, strong young man.

Farewell to home

Let us turn to the scenes that describe how Stolz and Oblomov left their native villages. Oblomov is seen off with tears in their eyes, they do not want to let go of their dear child - there is an atmosphere of love for the boy. And when native home leaves Stolz, his father only gives him a few instructions regarding spending Money. At the moment of parting, they even have nothing to say to each other.

Two environments, two characters and their influence on each other

Two completely different environments are the villages of Oblomovka and Verkhlevo. Oblomovka is a kind of heaven on earth. Nothing happens here, everything is calm and quiet. Andrey's father, a German, is in power in Verkhlevo, who arranges the German order here.

Oblomov and Stolz have common character traits. Their friendship, which existed since childhood, led to the fact that, communicating, they influenced each other to some extent. Both characters were brought up together for some time. They went to school, supported by Andrei's father. However, they came here, one might say, from a completely different worlds: once and for all established, undisturbed order of life in the village of Oblomovka; and the active work of a German burgher, which was interspersed with the lessons of his mother, who tried to instill in Andrei an interest and love for art.

For the further development of relations, however, Andrei and Ilya lack communication. Gradually moving away from each other, growing up, Oblomov and Stolz. Their friendship, meanwhile, does not stop. However, it is also hampered by the fact that the property status of these two heroes is different. The real gentleman, the nobleman is Oblomov. This is the owner of 300 souls. Ilya could do nothing at all, being on the provision of his serfs. Everything is different with Stolz, who was a Russian nobleman only by his mother. He had to maintain his material well-being on his own.

Oblomov and Stolz in the novel "Oblomov" in their mature years became completely different. It was already difficult for them to communicate. Stolz began to taunt and make fun of Ilya's reasoning, which was so far from reality. Differences in character and outlook on life eventually led to a gradual weakening of their friendship.

The meaning of friendship in Goncharov

The red thread in this novel is the thought of friendship, of the role it plays in a person's life. A person in interaction with others can show his true essence. Friendship has many forms: the “brotherhood” sung by Pushkin, mercenary, friendship for one reason or another. Except sincere, in essence, all the rest are just forms of egoism. Andrei and Ilya had a strong friendship. She connected them, as we have already noted, since childhood. Roman Goncharova helps readers understand why Oblomov and Stolz are friends, what role friendship plays in a person’s life, due to the fact that it describes many of its ups and downs.

The meaning and relevance of the novel "Oblomov"

The novel "Oblomov" is a work that does not lose its relevance to this day, since it reflects the essence of people's lives, which is eternal. The antithesis proposed by the author (his portrait is presented below) perfectly conveys the essence of rock in the history of our country, which is marked by these two extremes.

It is difficult for a Russian person to find a middle ground, to mix the desire for well-being, the activity and diligence of Andrei Stolz and Oblomov's broad soul, full of wisdom and light. Probably, in each of our compatriots, as well as in our country itself, these extremes live: Stolz and Oblomov. The characterization of Russia's future depends on which of them will prevail.

attitude towards friendship: Oblomov and Stolz

I.A. Goncharov in the novel "Oblomov" wanted to oppose two cultures: Russian and Western. The whole work is based on the reception of antithesis. As this antithesis, the author presents two characters: Oblomov and Stolz.

Thanks to the reception of antithesis, one can deeper understand the personalities of the characters: after all, everything is known in comparison. Removing Stolz from the novel, we will not be able to understand Ilya Ilyich. Goncharov shows the shortcomings and virtues of the characters. At the same time, the reader can look at himself from the outside (at his inner world) in order not to make the mistakes of the heroes. Oblomov and Stolz were brought up in completely different ways. Ilyusha's upbringing was a master's. Many relatives and guests lived in his parents' house. They all caressed and praised little Ilyusha. He was fed plentifully and exquisitely. In general, the main concern in Oblomovka was food. Stolz is the opposite. From an early age, Andrei's father (a German) brought up independence in him. He was dry towards his son. Strictness and purposefulness are the main features that parents invested in the upbringing of Stolz. It is worth looking at the scenes of Oblomov and Stolz leaving their native villages. Everyone sees off Oblomov with tears, they don’t want to let go - you can feel the atmosphere of love for the baby. And when Stolz leaves, the father gives only a couple of instructions about money. They even have nothing to say to each other at the moment of parting ... “Well? - said the father. Well! the son said. All? the father asked. All! answered the son.

Oblomov and Stolz had common character traits, because Ilyusha and Andrey met in childhood and, communicating, influenced each other. Verkhlevo and Oblomovka are two completely different environments. Oblomovka is an island of paradise on Earth, where nothing happens, everything flows quietly and calmly. In Verkhlevo, a German is in power - Andrey's father. He arranges the German order. Friends do not have enough communication so that they can somehow influence each other. As they grow older, they begin to move away. The fact that the property status of Oblomov and Stolz is different is manifested. Oblomov is a real gentleman of noble blood, the owner of three hundred souls. Ilya could do nothing at all, while he would be provided by his vassals. With Stolz, it’s different: he was a Russian nobleman only by his mother, so he had to maintain his material well-being on his own. In adulthood, Oblomov and Stolz became completely different. It was difficult for them to communicate. Stolz began to joke somewhere and sneer at Ilya's reasoning, which was detached from reality. Judging by this, the aphorism “plus and minus attract” is incorrect. In the end, the differences in the outlook on life and the characters of Ilya and Andrei began to break their friendship. Oblomov is the image of a man with a Russian soul. Stolz is the image of a man of a new era. There are always both in Russia. Apparently, this constant confrontation is what makes our country different from others in its social structure. Since Oblomov and Stolz are connected friendly relations, the question arises: which of them is more interested in this relationship? In my opinion, Stoltz is more interested in Oblomov, because Ilya does not need anything from what is in Andrei's character. He will live quite calmly and so. Stolz, on the other hand, is drawn to Oblomov, because he feels in him a soul that he himself has dreamed of possessing all his life. It turns out that Ilya is more sincere in his friendship. Goncharov's novel Oblomov helps us understand the role friendship plays in a person's life by providing a rich example of its ups and downs. Oblomov does not need anything from Stolz, Stolz is simply his only friend. With whom else can he discuss his thoughts and feelings? Thanks to the described friendship between Oblomov and Stolz, the essence of these heroes was fully revealed, Goncharov's thought about childhood, that the foundation of all life is laid in childhood.

The attitude of Oblomov and Stolz to the family and parents

The novel "Oblomov" by Goncharov does not lose its relevance today, being a brilliant socio-psychological work in Russian literature of the 19th century. In the book, the author touches on a number of eternal topics and questions, while not giving unambiguous answers, suggesting the reader to independently find solutions to the described collisions. One of the leading eternal themes in the novel is the theme of the family, revealed on the example of the biography of the main characters of the work - Ilya Ilyich Oblomov and Andrei Ivanovich Stolz. According to the plot of the novel, Oblomov's attitude to the family and parents, on the one hand, seems to be, and on the other hand, radically different from Stolz's attitude to the family. Andrei Ivanovich and Ilya Ilyich, although they come from the same social system, adopted different family values and received completely different upbringing, which later left an imprint on their fate and development in life.

The reader encounters the description of the Oblomov family in the novel "Oblomov" in the final chapter of the first part of the work - "Oblomov's Dream". Ilya Ilyich dreams of the beautiful landscapes of his native Oblomovka, his calm childhood, his parents and servants. The Oblomov family lived according to its own rules and regulations, and their main values were the cult of food and relaxation. Every day they decided with the whole family what dishes to cook, and after dinner the whole village plunged into sleepy, lazy idleness. In Oblomovka, it was not customary to talk about something lofty, to argue, to discuss serious issues - conversations between family members were meaningless throwing words that did not require additional energy and emotions.

It was in such a calming and, in its own way, depressing atmosphere that Ilya Ilyich grew up. The hero was very curious, interested in everything and active child, however, the excessive care of the parents, the attitude towards him as a greenhouse plant led to the fact that he was gradually swallowed up by the swamp of "Oblomovism". Moreover, education, science, literacy and all-round development in the Oblomov family were considered rather a whim, an excess, fashion trend, which you can do very well without. That is why, even sending their son to study, the parents of Ilya Ilyich themselves found many reasons so that he could skip classes, staying at home and indulging in idle pastime.

Despite the excessive guardianship from Oblomov's entourage, Oblomov's attitude towards his family and parents was the most favorable, he actually loved them with the calm love that was customary to love in Oblomovka. And even dreaming about how he would improve his family happiness, Ilya Ilyich imagined his future relationship with his wife exactly as they were between his father and mother - full of care and tranquility, representing the acceptance of the second half as she is. Perhaps that is why the love of Oblomov and Olga was doomed to parting - Ilyinskaya only at first glance looked like the ideal of his dreams, in fact, she was not ready to devote her life to ordinary everyday joys, which for Ilya Ilyich represented the basis of family happiness.

Andrei Stoltz in the novel is best friend Oblomov, whom they met back in school years. Andrei Ivanovich grew up in the family of a Russian noblewoman and a German burgher, which could not leave an imprint on an active and purposeful boy who was already receptive to the world around him. His mother taught Andrei the arts, brought him up with a great taste for music, painting and literature, dreamed of how her son would become a prominent socialite. The parents of Oblomov and Stolz knew each other, so Andrei was often sent to visit the Oblomovs, where that landowner calmness and warmth always reigned, which were acceptable and understandable to his mother. The father raised from Stolz the same practical and businesslike personality that he himself was. He, undoubtedly, was the most important authority for Andrei, as evidenced by the moments when the young man could leave home for several days, but at the same time complete all the tasks assigned by his father.

It would seem that sensual maternal and rational paternal education should have contributed to the formation of Stolz as a comprehensively developed, harmonious and happy personality. However, this did not happen due to the early death of his mother. Andrei, despite his strong-willed character, loved his mother very much, so her death became a real tragedy for the hero, the addition of which was the episode of forgiveness with his father, when he, sending him to St. Petersburg to live independently, could not even find words of encouragement for his own son . Perhaps that is why the attitude towards their own family Oblomov and Stolz differed - Andrei Ivanovich rarely remembered his parents, unconsciously seeing the ideal of family life in "Oblomov", spiritual relationships.

How did their upbringing affect their future lives?

Despite the different upbringing, the attitude towards the parents of Oblomov and Stolz is more similar than different: both heroes respect and love their parents, strive to be like them and appreciate what they gave them. However, if for Andrey Ivanovich education became a springboard for achieving career heights, becoming in society and helped to develop the will and practicality, the ability to achieve any goals, then Oblomov, who was already dreamy by nature, made "greenhouse" education even more introverted and apathetic. The very first failure of Ilya Ilyich in the service leads to his complete disappointment in his career, and he quickly replaces the need to work for continuous lying on the couch and pseudo-experience real life in dreams and unrealizable illusions about the possible future of Oblomovka. It is noteworthy that both heroes see the ideal of a future wife in a woman who looks like a mother: for Ilya Ilyich, she becomes an economic, meek, quiet, in everything agreement with her husband Agafya, while Stolz, having first seen in Olga an image similar to his mother, later years of life understands that this is not entirely true, because he needs to constantly develop in order to remain an authority for his demanding, selfish wife.

The theme of the family in Oblomov is one of the most important, so it is through understanding the features of the upbringing and formation of heroes that the reader begins to understand their life goals and motives. Perhaps if Ilya Ilyich grew up in a family of progressive bourgeois or Stolz's mother had not died so early, their fates would have turned out differently, but the author, accurately depicting the social realities of that time, brings the reader to eternal questions and topics.

Having depicted in the novel two different types personalities, two opposite paths, Goncharov provided readers with an extensive field for reflection on family and upbringing issues that are relevant in our time.

The nature of the relationship between O. Ilyinskaya and Stolz

rightly drew attention to the fact that the secret of Stolz's business success, his prosperity in everything, was not disclosed by Goncharov. “From Goncharov’s novel, we only see that Stolz is an active person, everything is busy with something, runs around, acquires, says that to live means to work, etc.,” writes Dobrolyubov.

“But what he does and how he manages to do something decent where others can’t do anything remains a mystery to us.” Not convincing in the mouth of Stolz is his phrase that "work is the goal of life." “Stoltz does not inspire any confidence in me,” Chekhov once remarked. - The author says that this is a magnificent fellow, but I do not believe it. This is a sloppy beast who thinks very well of himself and is pleased with himself. It is half composed, three-quarters stilted."

The writer himself was far from satisfied with everything in Stolz. Goncharov is right

showed that Stolz's sober understanding of life concealed a dry, business-like calculation, the subordination of human traits to entrepreneurial practicality. Goncharov and in Stolz critically noted what was the weak side of Uncle Aduev - bourgeois narrow-mindedness. This is beautifully shown in the novel in the relationship between Stolz and Olga Ilyinskaya.

The heroine of the novel "Oblomov" is one of the most remarkable images of the Russian

women in Russian classical literature. Like Turgenev, Goncharov knew how

draw captivating female portraits and created a whole gallery of images

women. In the personality of Olga Pisarev rightly found: “. naturalness and presence of consciousness - what distinguishes Olga from ordinary women. From these two qualities follows truthfulness in words and deeds, the absence of coquetry, the desire for development, the ability to love simply and seriously, without tricks and tricks ... Olga grows with her feeling, every scene that takes place between her and

loved by her, adds a new trait to her character, with each scene

the graceful image of the girl becomes more familiar to the reader, is outlined brighter and

protrudes more strongly from the general background of the picture.

Unlike Pushkin's Tatyana, from Lizaveta Alexandrovna - and this

marked a new step in the development of a Russian woman - Olga is not able to dutifully

submit to your fate. She dreams of saving Oblomov, making him "live,

act, bless life. ", save his morally perishing mind and

soul. But when she is convinced of the futility of her efforts, she sees that her beloved

a person does not correspond to her high idea of \u200b\u200bthe ideal of a person, she

Olga lives a rich spiritual life, and most importantly, she is full of desire for

activities. She dreamed of a hero who would combine a high mind and

passionate feeling with energy, will and great purpose in life. And in life with

Stoltz Olga far from everything seemed beautiful. "I feel sad

sometimes, she says. Everything pulls me somewhere else, I become nothing

dissatisfied." These impulses, dreams, this dissatisfaction with life were incomprehensible even to Stolz. “We,” answered Olga Stolz, “are not titans with you, we will not go with Manfreds and Fausts to a daring fight against rebellious issues, we will not accept their challenge, we will bow our heads and humbly go through a difficult moment, and then life and happiness will smile again.”

This kind of quiet happiness could not satisfy Olga. And her strong

character, and will, and the need she constantly felt for activity

would inevitably lead Olga to a break with Stolz, if

Goncharov continued the story of their lives. Emphasizing in Olga the desire for

struggle in the name of noble, and not selfish goals of life, Dobrolyubov,

who saw an advanced Russian woman in the heroine of the novel, remarks: “She will leave

and Stolz, if he stops believing in him. And this will happen if questions and

doubts will not stop tormenting her, and he will continue to give her advice - to accept

them as a new element of life, and bow your head. Oblomovism is good for her

familiar, she will be able to distinguish her in all forms, under all masks.

The attitude of Oblomov and Stolz to women

The acquaintance of Ilya Oblomov and Olga Ilyinskaya is due to their mutual friend, Andrey Stoltz. One day, Stolz brings Oblomov to the Ilinskys' house, where the heroes get to know each other:

". Stolz introduced Oblomov to Olga and her aunt. When Stoltz brought Oblomov to the house of Olga's aunt for the first time, there were guests. Oblomov was hard and, as usual, embarrassed. " Once Olga performs the aria "Casta Diva", Oblomov's favorite aria. Hearing Olga's wonderful singing, Ilya Oblomov is delighted:

". In conclusion, she sang Casta diva: all the delights, thoughts rushing like lightning in her head, trembling, like needles, running through her body - all this destroyed Oblomov: he was exhausted. " Overwhelmed with feelings, Oblomov almost confesses his love to Olga:

". No, I feel… not music… but… love! Oblomov said quietly. " ". this look was motionless, almost insane; it was not Oblomov who looked at them, but passion. Olga realized that his word had escaped, that he had no power in it, and that it was the truth. "

Acquaintance with Olga Ilyinskaya makes a real revolution in Oblomov's life. With the advent of Olga Oblomov becomes a different person, alive and active. He gets up early, dresses nicely, etc.:

". He gets up at seven o'clock, reads, carries books somewhere. On the face of no sleep, no fatigue, no boredom [. ] No robe to be seen on him [. ] the collars of the shirt are loosened over the tie and shine like snow. He comes out in a frock coat, beautifully tailored, in a smart hat ... He is cheerful, sings. " All this time, Oblomov and Olga hide their relationship from others. They see each other in the park under the guise of friendly walks. No one around knows about their love:

". He is with Olga from morning to evening; he reads with her, sends flowers, walks on the lake, in the mountains ... he, Oblomov. " Gradually, Olga pulls Oblomov out of his "sleepy life" and tries to change him. Oblomov is really changing: he sleeps less, moves more, starts reading a lot, etc. Oblomov does all this for Olga, and not for himself:

". He has already read several books. ] He wrote several letters to the village, changed the headman and entered into relations with one of the neighbors through Stolz [. ] He hasn't had dinner and for two weeks now he doesn't know what it means to lie down during the day. " The relationship between Oblomov and Olga is developing. Heroes are becoming closer friend friend:

". Meanwhile, their sympathy grew, developed and manifested itself according to its immutable laws. Olga flourished along with feeling. " ". My God! How he loves! How gentle, how gentle. " Sometimes Oblomov gets tired of the life that the active Olga imposes on him. Oblomov tries his best to please his beloved. Gradually, love for Olga seems like a service to him:

". What other life and activity does Andrey want? - said Oblomov, goggling his eyes after dinner, so as not to fall asleep. Isn't this life? Isn't love a service? "

Oblomov is happy with Olga, but sometimes he doubts whether Olga can really love him:

". No, this cannot be! he said aloud, getting up from the couch and walking around the room. - To love me, funny, with a sleepy look, with flabby cheeks ... She keeps laughing at me. " ". He looked into the mirror again. "They don't like them!" - he said. " Under the influence of these doubts, Oblomov decides to break off relations with Olga. He does not believe that Olga truly loves him. Oblomov writes a letter to Olga, in which he explains to her that in fact she does not love him and that their relationship is a mistake.

- Don't be afraid, Olga, I'm with you. - I'm scared of you too! she said in a whisper.

Some time later, Oblomov proposes to Olga. Olga accepts the offer with calm joy. On the same day, Olga kisses Oblomov for the first time:

". Olga,” he said, kneeling before her, “be my wife.” " The lovers decide not to tell anyone about their plans to get married. Olga wants Oblomov to sort out his affairs in Oblomovka first.

Time passes. Olga still pushes and moves the lazy Oblomov in the hope that he will change. In the end, Olga loses hope of changing her lover. She understands that lazy Oblomov will never become someone else:

". I loved in you what I wanted to be in you, what Stoltz pointed out to me, what we invented with him. I loved the future Oblomov. "

". I thought that I would revive you, that you could still live for me - and you died long ago. I did not foresee this mistake, but I kept waiting, hoping ... and now. " Olga understands that she will not be happy with the lazy Oblomov. With him she will wither and die of boredom:

". You would fall asleep deeper every day, wouldn't you? And I? Do you see what I am? I will not grow old, I will never get tired of living. And with you we would live from day to day, wait for Christmas, then Maslenitsa [. ] this is our future, right? Is this life? I will wither, I will die. " Olga and Oblomov break up and never meet again. The reason for the breakdown of relations between Olga and Oblomov is terrible laziness and apathy, which Oblomov never manages to overcome.

". Andrey, how can you forget her? It means forgetting that I once lived, was in paradise. "

". I love him not as before, but there is something that I love about him, to which I seem to have remained faithful and will not change like others. " After breaking up with Olga, Ilya Oblomov becomes close to the mistress of the house, Agafya Pshenitsyna. Kind, stupid Agafya loves Oblomov for who he is. She doesn't try to change him. In the end, Oblomov marries Agafya, their son Andryusha is born. A few years later, Oblomov dies of a stroke (stroke).

The novel "Oblomov" by I. A. Goncharov has not lost its relevance and its objective significance in our time, because it contains a universal philosophical meaning. The main conflict of the novel - between the patriarchal and bourgeois ways of Russian life - the writer reveals on the opposition of people, feelings and reason, peace and action, life and death. With the help of antithesis, Goncharov makes it possible to understand the idea of the novel with all the depth, to penetrate into the souls of the characters. Ilya Oblomov and Andrei Stolz are the main characters of the work. These are people of the same class, society, time. It would seem that people of the same environment have similar characters and worldviews. But they are completely opposite to each other. Stolz, unlike Oblomov, is shown by the writer as an active person, in whom reason prevails over feeling. Goncharov makes attempts to understand why these people are so different, and he looks for the origins of this in origin, upbringing and education, since this lays the foundations of characters.

The author shows the parents of the characters.

Stolz was brought up in a poor family. His father was a German by origin, and his mother was a Russian noblewoman. We see that the family spent all day at work. When Stolz grew up, his father began to take him to the field, to the market, forced him to work. At the same time, he taught him the sciences, taught the German language, that is, he brought up in his son respect for knowledge, the habit of thinking, doing business. Then Stoltz began to send his son to the city with instructions, "and it never happened that he forgot something, changed it, overlooked it, made a mistake." The writer shows us how zealously, persistently this person develops economic tenacity in Andrei, the need for constant activity. The mother taught her son literature and managed to give him an excellent spiritual education. So, Stolz was formed as a strong, intelligent young man.

But what about Oblomov? His parents were nobles. Their life in the village of Oblomovka followed its own special laws. The Oblomov family had a cult of food. The whole family decided "what dishes will be for lunch or dinner." And after dinner, the whole house fell asleep, plunged into a long sleep. And so passed every day in this family: only sleep and food. When Oblomov grew up, he was sent to study at the gymnasium. But we see that Ilyusha's parents were not interested in their son's knowledge. They themselves came up with pretexts in order to free their adored child from study, they dreamed of receiving a certificate proving that "Ilya went through all the sciences and arts." They didn’t even let him go outside again, because they were afraid that he would be crippled, would not get sick. Therefore, Oblomov grew up lazy, apathetic, did not receive a proper education.

But let's look deeper into the characters of the main characters. Rethinking the pages I read in a new way, I realized that both Andrei and Ilya have their own tragedy in life.

Stolz at first glance is a new, progressive, almost ideal person. Work for him is a part of life, a pleasure. He does not shun even the most menial work, leads an active life. From the moment he left home, he lives by work, thanks to which he became rich and famous to a wide circle of people. Stolz's ideal of happiness is material wealth, comfort, personal well-being. And he achieves his goal by hard work. His life is full of action. But despite the external well-being, it is boring and monotonous.

Unlike Oblomov, a man of a subtle soul, Stolz appears to the reader as a kind of machine: “He was all made up of bones, muscles and nerves, like a blooded English horse. He is thin; he has almost no cheeks at all, that is, bone and muscle ... his complexion is even, swarthy and no blush. Stolz lives strictly according to plan, his life is scheduled by the minute, and there are no surprises, interesting moments in it, he almost never gets worried, does not experience any event especially strongly. And we see that the tragedy of this man lies precisely in the monotony of his life, in the one-sidedness of his worldview.

And now let's turn to Oblomov. Work for him is a burden. He was a gentleman, which means that he did not have to devote a drop of time to work. And I'm not talking about physical labor, because he was even too lazy to get up from the sofa, leave the room to be cleaned there. He spends his whole life on the couch, doing nothing, not interested in anything (he can't bring himself to finish the book "Journey through Africa", even the pages of this book turned yellow). Oblomov's ideal of happiness is complete calm and good food. And he reached his ideal. Servants cleaned up after him, and at home he had no big problems with the household. And before us is revealed another tragedy - the moral death of the hero. Before our eyes, the inner world of this person is getting poorer, from a kind, pure person, Oblomov turns into a moral cripple.

But despite all the differences between Stolz and Oblomov, they are friends, friends since childhood. They are brought together by the most beautiful character traits: honesty, kindness, decency.

The essence of the novel is that inaction can ruin everything better feelings a person, corrode his soul, destroy his personality, and labor, the desire for education will bring happiness, subject to the rich inner world of a person.

About such friends as Ilya Ilyich Oblomov and Andrei Ivanovich Stolz, A. S. Pushkin in his novel in verse “Eugene Onegin” very aptly wrote: “They got along. Water and stone, poetry and prose, ice and fire are not so different from each other. Indeed, the characters of the characters are so different that many critics agreed: Stolz is a kind of "antidote" to Oblomov. Goncharov wrote: "They were connected by childhood and school - two strong springs." Therefore, looking into the childhood of the heroes, one can understand why such different characters of two friends who lived in the neighborhood were formed.
To learn about the childhood of Ilya Ilyich, the chapter "Oblomov's Dream" helps, which, according to A. V. Druzhinin, was the first step towards finding out the causes of "Oblomovism". From Oblomov's dream, it becomes clear that everyone loved little Ilyusha, caressed, pampered, so he grew up kind and sympathetic. As soon as Ilya Ilyich just doze off, he has the same dream: the gentle voice of his mother, her gentle hands, the hugs of loved ones and friends ... Each time in a dream, Oblomov returned to a time when he was absolutely happy and loved by everyone. The hero of the novel seems to have escaped from real life into his childhood memories. Ilyusha was constantly protected from all sorts of dangers, real and imagined. The servant Zakhar and "three hundred Zakharovs" did everything for the barchon. Such guardianship and care almost completely drowned out in Oblomov any desire to do something himself.
Everyone calls Ilya Ilyich a dreamer. But how could the endless nursery tales about Militrisa Kirbityevna, about heroes, about sorcerers and firebirds not sow in the soul of a child hope for the best, that all problems will be solved by themselves? These same tales gave rise to Oblomov's fear of life, from which Ilya Ilyich tried in vain to hide in his apartment on Gorokhovaya Street, and then on the Vyborg side.
The complete opposite of Oblomov is Andrei Stoltz. We see throughout the novel a comparison of Stolz and Oblomov, as well as their opposition to each other. They differ literally in everything: externally, by origin (Oblomov is a nobleman, but Stolz is not), by the upbringing and education they received. The reason for these differences lies primarily in education.

Each of the parents made their own special contribution to the upbringing of Andrei Stolz. His father, Ivan Bogdanovich Stolz, a businesslike and practical German, put above all a sense of duty, discipline, responsibility and love for work. He tried to instill these qualities in his son, trying to make him a successful businessman.

Andrei's mother, a Russian noblewoman, on the contrary, "taught him to listen to the thoughtful sounds of Hertz, sang to him about flowers, about the poetry of life ...". Stolz's mother wanted Andrei to grow up as an educated Russian gentleman, and not a "German burgher", and tried her best to reduce the influence of the Father on Andryusha. In many ways, she wanted to see her son look like Ilya Oblomov and often gladly let him go to Sosnovka, where "an eternal holiday, where they sell work off their shoulders like a yoke."

Stolz's father, of course, loved Andrei in his own way, but did not consider it possible to show his feelings. The scene of Andrei's farewell to his father is piercing to tears. Ivan Bogdanovich, even at the moment of parting, did not find kind words for his son. Swallowing tears of resentment, Andrei sets off on his journey, accompanied by the lamentations of the servants: “You don’t have a dear mother, there is no one to bless you.” And it seems that it was at this moment that Andrei Stolz, despite all the efforts of his mother, did not leave room for “empty dreams” in his soul. In an independent adult life, he took with him only what he thinks is necessary: prudence, practicality, purposefulness. Everything else remained in distant childhood, along with the image of the mother.

Differences in the characters of the characters explain the difference in aspirations and beliefs. You can learn about this from the story of Ilya Ilyich about his ideal life. Most of all, Oblomov longs for peace, carelessness and tranquility. But Ilya Ilyich considered peace not the result of vigorous activity, not a reward for it, but a constant, the only possible and correct state of a person. Arguing with Stolz, Oblomov convinced him that "the goal of all ... running around is ... this is the preparation of peace, the desire for the ideal of the lost paradise." Therefore, why work, do anything, if you still come to what Oblomov always wanted to have?

And for Stolz, the main thing is work. But for Andrei, work is not a way to achieve peace, any desire for which Stoltz called "Oblomovism." Labor for him is "the image, content, element and purpose of life."

If Oblomov was not accustomed to work, dreamed of achieving everything without it (as in a nanny's fairy tale: “waved a magic wand” - and “everything is ready”), then Stolz was brought up from childhood by work, which was the goal of his father's life. Over time, Andrei simply stopped even thinking about existence without activity.
The attitude of friends to the bustle of the capital is also different. Stolz was already accustomed to it and felt in the light, "like a fish in water." He sees everything, but prefers to turn a blind eye to his shortcomings. Andrei does not allow society to encroach on his innermost feelings and thoughts, as if closing himself off from him with courteous behavior.
And Ilya Ilyich, having served himself and carefully listening to the stories of visitors - Sudbinsky, Penkin, Volkov - about life in the capital, realized that it was too empty (“What is there to look for? Interests of the mind, heart?”) And fussy (“In ten places in one day!?"). Ilya Ilyich did not see the point in all these visits, going to work, balls.
From the characters, upbringing and beliefs, the lifestyle that the main characters of the novel lead is formed. He left some imprint on the appearance of the characters. Oblomov - a man with surprisingly soft features - was much thicker than Stolz and "flabby beyond his years", while Andrei Ivanovich was "all made up of bones, muscles and nerves", thin, as befits a person leading an active lifestyle.
Stolz was accustomed from childhood to activity, to the fact that time is precious and should not be wasted. And so Andrei's whole life passed in perpetual motion, which, however, cannot be called vanity. He was not just in constant dynamics, but benefited himself and others. But, despite the constant employment, he "goes into the world and reads: when he has time - God knows." Stoltz wanted to inspire Oblomov to such a life, for whom, despite a lot of free time, nothing was done. Oblomov spent most of his life on the couch, since "lying down with Ilya Ilyich ... was a normal state." His ideal was a carefree life in unity with nature, family and friends, in dreams of which Oblomov spent years.

The attitude of the characters to love was expressed in the novel through feelings for Olga Ilyinskaya.
Oblomov wanted to see in Olga loving woman, capable of creating a serene family life, kind and gentle, like his mother. The girl was at first in love with Ilya Ilyich, she liked his touching naivety, "pigeon tenderness" and kind heart. And Oblomov himself was in love with Olga. But, as usual, hoping that everything would happen by itself, he did not take any action to ensure that Olga became his wife. His "vile habit of getting satisfaction of his desires ... from others" played a fatal role in this situation: Olga preferred Oblomov's uncertainty, expectation and inaction to a firm and reliable marriage with Stolz.
Stolz, who knew Ilyinskaya almost from early childhood, experienced
friendship for her. There were no fiery passions, "burning joys" or disappointments in her. Even jealousy for an unknown opponent did not cause a storm of emotions in Stolz's soul. And when he found out that this opponent was Oblomov, he completely became "calm and cheerful." Stoltz saw in Olga a faithful friend and comrade-in-arms in labor and therefore tried to instill in her an active principle, the ability to fight, to develop her mind.
And Olga fell in love with Andrey not suddenly. The description of her character immediately suggests that Olga Ilyinskaya cannot but become Olga Sergeevna Stolz.

The love between Olga and Andrei was born and began to grow without "stormy ups and downs." After the wedding, she did not disappear, but continued to live, albeit without development, smoothly and measuredly ("they had everything in harmony and silence").

From a comparison of the two heroes, it can be seen that Oblomov and Stolz are completely different heroes. What was the basis of such a strong and faithful friendship between them? It seems to me that this is not only childhood and school, as Goncharov wrote. Stolz and Oblomov complement each other.

Goncharov wanted to reflect in Ilya Ilyich the typical features of the patriarchal nobility, and Stolz was assigned the role of a person capable of breaking the "Oblomovism". But, after reading the novel, I could not imagine the characters so unambiguous. The personality of Ilya Ilyich evokes conflicting feelings: regret for his helplessness and sympathy, because Oblomov has absorbed the contradictory features of the Russian national character, many of which are close to each of us.

Modern life requires "stoltsev", and they certainly appear. But Russia will never consist only of such characters. Russian people have always been distinguished by the breadth of nature, the ability to sympathize, a lively and quivering soul. I really want the practical qualities of Stolz and the "pure as crystal" soul of Oblomov to unite in modern man.

Oblomov family

The reader encounters the description of the Oblomov family in the novel "Oblomov" in the final chapter of the first part of the work - "Oblomov's Dream".

Ilya Ilyich dreams of the beautiful landscapes of his native Oblomovka, his calm childhood, his parents and servants. The Oblomov family lived according to its own rules and regulations, and their main values were the cult of food and relaxation. Every day they decided with the whole family what dishes to cook, and after dinner the whole village plunged into sleepy, lazy idleness. In Oblomovka, it was not customary to talk about something lofty, to argue, to discuss serious issues - conversations between family members were meaningless throwing words that did not require additional energy and emotions.

It was in such a calming and, in its own way, depressing atmosphere that Ilya Ilyich grew up. The hero was a very curious, interested and active child, but the excessive care of his parents, the attitude towards him as a greenhouse plant led to the fact that he was gradually swallowed up by the swamp of "Oblomovism". Moreover, education, science, literacy and all-round development in the Oblomov family were considered rather a whim, an excess, a fashionable trend, without which one can perfectly do without. That is why, even sending their son to study, the parents of Ilya Ilyich themselves found many reasons so that he could skip classes, staying at home and indulging in idle pastime.

Stoltz family

Andrei Stolz in the novel is Oblomov's best friend, whom they met in their school years. Andrei Ivanovich grew up in the family of a Russian noblewoman and a German burgher, which could not leave an imprint on an active and purposeful boy who was already receptive to the world around him. His mother taught Andrei the arts, brought him up with a great taste for music, painting and literature, dreamed of how her son would become a prominent socialite. The parents of Oblomov and Stolz knew each other, so Andrei was often sent to visit the Oblomovs, where that landowner calmness and warmth always reigned, which were acceptable and understandable to his mother. The father raised from Stolz the same practical and businesslike personality that he himself was. He, undoubtedly, was the most important authority for Andrei, as evidenced by the moments when the young man could leave home for several days, but at the same time complete all the tasks assigned by his father.

How did their upbringing affect their future lives?

Despite the different upbringing, the attitude towards the parents of Oblomov and Stolz is more similar than different: both heroes respect and love their parents, strive to be like them and appreciate what they gave them. However, if for Andrey Ivanovich education became a springboard for achieving career heights, becoming in society and helped to develop the will and practicality, the ability to achieve any goals, then Oblomov, who was already dreamy by nature, made "greenhouse" education even more introverted and apathetic. The very first failure of Ilya Ilyich in the service leads to his complete disappointment in his career, and he quickly replaces the need to work for continuous lying on the couch and pseudo-experience of real life in dreams and unrealizable illusions about the possible future of Oblomovka. It is noteworthy that both heroes see the ideal of a future wife in a woman who looks like a mother: for Ilya Ilyich, she becomes an economic, meek, quiet, in everything agreement with her husband Agafya, while Stolz, having first seen in Olga an image similar to his mother, later years of life understands that this is not entirely true, because he needs to constantly develop in order to remain an authority for his demanding, selfish wife.

Having depicted in the novel two different types of personality, two opposite paths, Goncharov provided readers with an extensive field for reflection on family and upbringing issues that are relevant in our time.

Artwork test

Goncharov's novel Oblomov shows two different families. These are the families of Oblomov and Stolz, these are two opposite families. The reception of antithesis in the depiction of the families of the main characters helps the reader to feel the inner world of the characters deeper and understand their essence.

As a child, Ilya was an active boy, he was interested in everything. But at the same time, from childhood, the life of Ilya Oblomov was shrouded in laziness and sleep. Any of his attempts to be active were suppressed, they tried in every possible way to protect him from studies so that the master would leave his family as rarely as possible. Yes and

Oblomov himself did not have a craving for knowledge, he did not understand the significance of that storehouse of knowledge, which he might never need in his life.

After describing Oblomov's childhood, fanned by love and laziness, the Stolz family appears before the reader in bright contrast. From early youth, Andrei Stoltz was an active and purposeful child who could sit in one place only when he received an education. His German father treated him with particular seriousness. The mother always worried that her son would grow up like his father - a pragmatic German, but, fortunately, the mother's excitement was not justified, Stolz grew up as a caring and capable person.

The Stoltsev family is reminiscent of Oblomov's idealistic dream. Both spouses live a quiet, calm family life, and maybe their passion died out in marriage, but there was a feeling of mutual love and respect for each other. Even after the start of family life, Olga and Stolz continue to develop and lead a rich life.

The relationship between Pshenitsyna and Oblomov is quite natural, closer to life than the utopian marriage of Stolz and Olga. Oblomov, as a result, found himself in a world that has been familiar to him since childhood, in a world where nothing needs to be sacrificed and where everything is done for his good. It is unlikely that Oblomov was in love with Pshenitsyna, because "love never entered his mind." But Agafya Matveevna herself “fell in love with Oblomov simply, as if she had caught a cold and caught an incurable fever. without trembling, without passion, without vague forebodings and longings. “.

The theme of the family occupies a very important place both for the development of the plot and for the complex composition of the novel by I. A. Goncharov, being the foundation for revealing the images of the characters.

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In the novel "Oblomov" Ivan Alexandrovich Goncharov wanted to oppose Western and Russian culture. Oblomov and Stolz are two key images of the work. The novel is built on the reception of antithesis. It is realized through the opposition of these two characters of the work. In many ways, Stolz and Oblomov are opposite. In Russian classical literature there are many works constructed in this way. These are, for example, "A Hero of Our Time" and "Eugene Onegin". Such examples can also be found in foreign literature.

"Oblomov" and "Don Quixote"

Antithesis - the main technique in the work

With the help of antithesis, it is possible to draw the personalities of the characters more voluminously, since everything is known in comparison. It is impossible to understand Ilya Ilyich by removing Stolz from the novel. Goncharov shows the strengths and weaknesses of his characters. At the same time, the reader can look from the outside at himself and his inner world. This will help to avoid the mistakes that the characters Oblomov and Stolz made in Goncharov's novel Oblomov.

The value of childhood in the formation of the characters' characters

Childhood in the life of every person is of great importance. Personality in this period is not yet formed. Man, like a sponge, absorbs everything that the world offers. It is in childhood that upbringing takes place, on which depends what a person will become in adulthood. Therefore, an important role in Goncharov's novel is played by the description of childhood and the upbringing of future antipodes, which are Ilya Oblomov and Andrei Stoltz. In the chapter "Oblomov's Dream" the author gives a description of Ilya Ilyich's childhood. He recalls Oblomovka, his native village. After reading this chapter, we understand where immobility and laziness appeared in the character of this hero.

Childhood of Ilya Oblomov

Stolz and Oblomov were brought up differently. Ilyusha is like a future master. Many guests and relatives lived in his parents' house. They all praised and caressed little Ilyusha. He was exquisitely and a lot fed with "cream", "rusks", "buns". Food, it should be noted, was the main concern in Oblomovka. She spent a lot of time. The whole family decided what dishes would be for dinner or lunch. After dinner, everyone fell into a long sleep. So the days passed: food and sleep. When Ilya grew up, he was sent to study at the gymnasium. Parents were not interested in Ilyusha's knowledge. They were only interested in a certificate that he had gone through various sciences and arts. Therefore, Ilya Oblomov grew up as an uneducated, downtrodden boy, but kind at heart.

The childhood of Andrei Stolz

Farewell to home

Let us turn to the scenes that describe how Stolz and Oblomov left their native villages. Oblomov is seen off with tears in their eyes, they do not want to let go of their dear child - there is an atmosphere of love for the boy. And when Stolz leaves his home, his father only gives him a few instructions regarding spending money. At the moment of parting, they even have nothing to say to each other.

Two environments, two characters and their influence on each other

Two completely different environments are the villages of Oblomovka and Verkhlevo. Oblomovka is a kind of heaven on Earth. Nothing happens here, everything is calm and quiet. Andrey's father, a German, is in power in Verkhlevo, who arranges the German order here.

Oblomov and Stolz have common character traits. Their friendship, which existed since childhood, led to the fact that, communicating, they influenced each other to some extent. Both characters were brought up together for some time. They went to school, supported by Andrei's father. However, they came here, one might say, from completely different worlds: once and for all established, undisturbed order of life in the village of Oblomovka; and the active work of a German burgher, which was interspersed with the lessons of his mother, who tried to instill in Andrei an interest and love for art.

The meaning of friendship in Goncharov

The red thread in this novel is the thought of friendship, of the role it plays in a person's life. A person in interaction with others can show his true essence. Friendship has many forms: "brotherhood", sung by Pushkin, selfish, friendship for one reason or another. Except sincere, in essence, all the rest are just forms of egoism. Andrei and Ilya had a strong friendship. She connected them, as we have already noted, since childhood. Roman Goncharova helps readers understand why Oblomov and Stolz are friends, what role friendship plays in a person’s life, due to the fact that it describes many of its ups and downs.

Comparative characteristics of heroes

The fate of Stolz and Oblomov

Olga and Stolz in the novel "Oblomov"

Features of the relationship between Olga and Stolz

Why is the marriage and love of Olga and Stolz tragic?

Stolz and Oblomov: relationship (based on the novel "Oblomov")

Antithesis - the main technique in the work

The value of childhood in the formation of the characters' characters

Childhood of Ilya Oblomov

The childhood of Andrei Stolz

Farewell to home

Two environments, two characters and their influence on each other

The meaning of friendship in Goncharov

The meaning and relevance of the novel "Oblomov"

attitude towards friendship: Oblomov and Stolz

The attitude of Oblomov and Stolz to the family and parents

How did their upbringing affect their future lives?

The nature of the relationship between O. Ilyinskaya and Stolz

The attitude of Oblomov and Stolz to women

Oblomov family

Stoltz family

How did their upbringing affect their future lives?

Essays on topics:

"Oblomov" and "Don Quixote"

Antithesis - the main technique in the work

The value of childhood in the formation of the characters' characters

Childhood of Ilya Oblomov

The childhood of Andrei Stolz

Farewell to home

Two environments, two characters and their influence on each other

The meaning of friendship in Goncharov

The meaning and relevance of the novel "Oblomov"

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